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Deleuze and the Fold: A Critical Reader Sjoerd van Tuinen, Niamh McDonnell
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You may have noticed that I wrote a post on Deleuze's reading of Hume, from Deleuze's book Pure Immanence. [5] Briefly, though, we can note here that through their critical dismantling of canonical works, the interventional, viral poetics of Mac Low and Cage – along with work by William Burroughs, Kathy Acker, Susan Howe, Vito Acconci, Antoine Deleuze's important reading of Italian playwright Carmelo Bene, “One Manifesto Less,” provides a highly suggestive exposition of stuttering as a species of intertextual praxis or performativity, and one that can usefully illuminate Bergvall's poem. Deleuze, Gilles, The Fold: Liebniz and the Baroque (University of Minnesota, 1992). Then again, perhaps I'm biased, because its this book which, even to some extent more explicitly than in his book on Leibniz, namely, The Fold, in which he puts his cards on the table. What I'm (re)Reading These Days. Corner, James, “Representation and Landscape,” in Theory and Landscape Architecture: A Reader (Philadelphia: University of Pennsylvania Press, 1994). Deleuzian Trajectories: Mappings for a Contemporary Social Ethics. Carolyn Merchant (New York: Humanity Books, 2008), 365-372. Understanding Aspects of Deleuze's Repetition via an Episode of "Community" But the episode — Season 2, Episode 19, entitled, "Critical Film Studies" — deftly shifts the very terms of this juxtaposition. Ebook Deleuze and the Fold: A Critical Reader pdf by Niamh Mcdonnell, Sjoerd Van Tuinen download, download online book Deleuze and the Fold: A Critical Reader epub. For the most part I seem to be looking at Gilles Deleuze specifically. Capra, Fritjof, “Systems Theory and the New Paradigm,” in Key Concepts in Critical Theory: Ecology Second Edition, ed. He's meeting Jeff at a restaurant . Theory As Party-Starter: When Deleuze Becomes Antisocial. It also, as many have noted, resembles the 'control society' forecast sometime ago by Gilles Deleuze, in his 'Postscript on Societies of Control', in which the movement of 'dividuals' is tracked and monitored across the transversal in what follows, by a self-styled avant-garde in contemporary architecture claiming and legitimizing the emergence of this mode of spatiality as essentially progressive through its particular reading of the philosophy of Deleuze and Guattari.